![]() ![]() It was a very fun world, and fit the incredibly voicy narrator perfectly. It’s that sort of “yeah, this is believable and almost touchable” dystopia world, rather than the far future sort from the Hunger Games etc. Not sure if England and Scotland are still a union or not. ![]() There’s a king on the throne, and something happened that means showing loyalty in a call and response with random people on the street is normal. We have to fit the pieces together from hints, but there’s clearly been a disaster (probably at least partially climate) and so Edinburgh is over populated. THE LIBRARY OF THE DEAD takes places in a near future world that’s pretty dystopia but in a horribly realistic way. Yet as shadows lengthen, will the hunter become the hunted? And in the process, she discovers an occult library and some unexpected allies. ) as she calls on Zimbabwean magic and Scottish pragmatism to hunt down clues. She’ll dice with death (not part of her life plan. ![]() But what she learns will change her world. It’s on Ropa’s patch, so she feels honour bound to investigate. Until, that is, the dead whisper that someone’s bewitching children – leaving them husks, empty of joy and life. A girl’s gotta earn a living, and it seems harmless enough. ![]() Ropa dropped out of school to become a ghost talker – and she now speaks to Edinburgh’s dead, carrying messages to the living. ![]()
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